Christmas postcards

Hello Everyone!

I hope you have had a delightful Christmas time with your family and friends. And lots of gifts under the Christmas tree as well.

Today on the blog, I would like to share with you four Christmas postcards I have specially made for a private client. I was asked to make four illustrations in A6 format that had to do with Christmas time. I must admit I had a lot of fun creating a stuck Santa in a chimney, and a chubby guinea pig going ice skating!

Christmas guinea pig.
commission for a private client, 2021.
Gouache, coloured pencil, and water-soluble pastel, on mixed media paper. About 15x10cm.

Christmas tree decorations.
commission for a private client, 2021.
Gouache, coloured pencil, and water-soluble pastel, on mixed media paper. About 15x10cm.

Christmas rabbit.
commission for a private client, 2021.
Gouache, coloured pencil, and water-soluble pastel, on mixed media paper. About 10x15cm.

Christmas gingerbread house.
commission for a private client, 2021.
Gouache, coloured pencil, and water-soluble pastel, on mixed media paper. About 10x15cm.

Sunday Rest

Hello there my dearest readers! Today I would like to share with you one of my latest projects, another commission for a private client.

I was asked to portray two members of the client's family, her grand-mother and her mother, surrounded by their pets in a 'homey' atmosphere.

Thus, the illustration is entitled Sunday rest, as Sunday to my mind is the best day of the week to enjoy free time and rest at home with the ones you love.

And eat cake of course!

Commission for a private client, 2017.
Gouache, coloured pencil, pencil, and black ink, on watercolour paper. A4 format.

I must admit that I have never made so many sketches for a project of that size before. Usually when I set to make any illustration (one piece about 21x28cm, that is to say one piece about 8.27"x11.02") I already have a clear picture in my head, and I make one or two sketches and take a few notes to make sure that I will not forget anything while I am painting. But this time the approach to it needed to be different, as I had to integrate a lot of specific elements into an A4+ piece of paper. And as you see I am the kind of person who dwells a lot on details, not to mention the trifling ones... The risk here is to overload the illustration with too much information and make it illegible - ugly and a strain on the eyes. The sketching process helped me find the key spots where I could place each character - furry and not furry - so that all had their bit of paper on which to shine, stand out, without overshadowing the others. I did my best to find the right balance, and for the time being I am quite satisfied with my work - in the near future I might think otherwise...

At first my sketches had followed a different path from the last ones that were made. I had intended to draw the client's house - always looking for an opportunity to draw houses, obsessed as I am - with a view of the living room seen from the outside through wide windows. Eventually I had to give up that idea as it did not emphasize enough the occupants and the homey feeling. Furthermore, I remembered the size of the working surface which would have restrained me from being as meticulous as I wanted to be while remaining 'legible'. I had to depict an interior scene, and a living room seemed to be the most cosy place in a house.

You can see below a detail of the mother and the grand-mother (finished illustration).

The pets I was asked to paint were a curly black dog, two cats, and one guinea pig. I was used to dread drawing guinea pigs until they finally grew on me; the more the shape is simple the more I find it difficult to draw it properly. Making simple and very precise lines is so hard, but it's fun nonetheless!

Above: Guinea pig in progress, and detail of the finished illustration.

Above: Black cat with glasses in progress, and detail of the finished illustration.

Above: details of the finished illustration. A curly black dog, afternoon tea, and a second cat.

Virée Nocturne

Last month I was commissioned by a private client to paint her beloved pets. Before I proceed any further, let me tell you straight away - so that I do not hold out false hopes to you my dear readers - that unfortunately she does not own any dragon. Consequently, neither she nor I know where one can adopt them, sorry!

Now that the question is settled, I can get back to the subject : my last commission entitled Virée Nocturne (it means 'night-ride' in French).

Commission for a private client, 2017.
Black ink, gouache, and coloured pencil, on Canson art board. About 30x40cm.

If you have been following me on Instagram, you may have seen a few 'wip' pictures of that illustration.

I enjoyed that project immensely as I had full liberty, and plenty of time, to work on it! And I love painting people's pets :)